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Lee "Scratch" Perry
Lee "Scratch" Perry OD (born Rainford Hugh Perry, 20 March 1936 in Kendal, Jamaica) is a Jamaican music producer/inventor noted for his innovative studio techniques and production values. Perry was one of the pioneers in the development of dub music with his early adoption of effects and remixing to create new instrumental or vocal versions of existing reggae tracks. Perry has worked with Bob Marley and the Wailers, Junior Murvin, the Congos, Max Romeo and many others.
==Early career==
Perry's musical career began in the late 1950s as a record seller for Clement Coxsone Dodd's sound system. As his sometimes turbulent relationship with Dodd developed, he found himself performing a variety of important tasks at Dodd's Studio One hit factory, going on to record nearly thirty songs for the label.〔 Disagreements between the pair due to personality and financial conflicts led him to leave the studio and seek new musical outlets. He soon found a new home at Joe Gibbs's Amalgamated Records.〔
Working with Gibbs, Perry continued his recording career but, once again, financial problems caused conflict. Perry broke ranks with Gibbs and formed his own label, Upsetter Records, in 1968. His first major single "People Funny Boy", which was an insult directed at Gibbs, sold well with 60,000 copies sold in Jamaica alone. It is notable for its innovative use of a sample (a crying baby) as well as a fast, chugging beat that would soon become identifiable as "reggae" (the new kind of sound which was given the name "Steppers"). Similarly his acrimonious 1967 single as Lee "King" Perry Run for Cover was likewise aimed at Sir Coxsone. From 1968 until 1972 he worked with his studio band The Upsetters. During the 1970s, Perry released numerous recordings on a variety of record labels that he controlled, and many of his songs were popular in both Jamaica and the United Kingdom. He soon became known for his innovative production techniques as well as his eccentric character.〔 In 1970 Perry produced and released The Wailers track "Mr Brown" (1970) with its unusual use of studio effects and eerie opening highlighting his unique approach to production.
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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